All places have now gone.

There is no relationship between the registration on the stand and the accreditation to the market; the registration on the stand does not include Market (or Festival) accreditation and does not give the right to any reduction on the market (or festival) accreditation fee

This year, the access to the EFM from Friday 21 February to Monday 24 February with a festival badge will only be possible from 17:00.

REGISTRATION BENEFITS

What are the benefits of signing up?

A stand for 180 participants with:

  • a seating area with small tables
  • a welcome desk with international hostesses
  • a coffee bar
  • dedicated wi-fi internet connection
  • laptop charging facilities
  • storage
  • messaging services.

ELIGIBILITY

During the sign-up process, you are asked to provide information about how you meet the eligibility criteria.

Accreditation is open to independent European producers or distributors, i.e. those established in Europe and offering European content (see below for the definition of European content).

During the sign-up process you are asked for an affirmation that you meet this and the other criteria.

Once you have signed up, we submit your application to Creative Europe MEDIA to check that you meet the criteria and that there is still space left. We aim to let you know within a week at most whether you have been accepted.

 

EUROPEAN CONTENT

To be considered to have European content, any work of fiction [including an animated film] or documentary, be it a completed production, a project or a format, must comply with the following conditions:

  • the majority of the work has been or is to be produced by companies established in one or more countries participating in Creative Europe MEDIA, and
  • there is a significant involvement of professionals who are citizens or residents of the countries participating in Creative Europe MEDIA

 

The following programming is not eligible:

  • live recordings, TV games, talk shows, reality shows or educational, teaching and ‘how-to’ programmes;
  • documentaries promoting tourism, “making-of” reports, animal reportages, news programmes and “docu-soaps”;
  • projects promoting, directly or indirectly, messages that are at odds with the policies of the European Union – for example, projects that may be contrary to the interests of public health (alcohol, tobacco, drugs), respect for human rights, people’s security, freedom of expression etc.;
  • projects promoting violence and/or racism and/or with a pornographic content;
  • works of a promotional nature;
  • institutional productions to promote a specific organisation or its activities.